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Out Of Africa for solo harp
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1
20 Easy Hymns and Spirituals, BOOK 1 (Beginner Piano Solos)
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1374785 By Sharon Wilson. By Africa…
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Easy Piano - Level 1 - Digital Download SKU: A0.1374785 By Sharon Wilson. By African-American Spiritual, Elisha Albright Hoffman, Fanny J. Crosby, Georg C. Strattner, Horatio G. Spafford, John H. Stockton, Martin Luther, Philip P. Bliss, Rowland Hugh Prichard, and William J. Kirkpatrick. Arranged by Sharon Wilson. Children,Christian,Easter,Sacred,Spiritual. Score. 40 pages. Sharon Wilson #959316. Published by Sharon Wilson (A0.1374785). Beginner Piano SolosMiddle C PositionFive-Finger formatThis is a collection of 20 hymns and spirituals arranged for beginning piano students. These arrangements are formatted in the traditional five-finger style with the melody split between the hands and without key signatures.  All 20 songs are written in Middle C Position where all notes are played singly centered around Middle C (diagrams are provided showing notes and finger placement). No fingering is notated on the sheet music to encourage students to learn to read the notes instead of using the fingering numbers to play the song. Thus, this collection makes a great sight-reading book, especially if some of the songs are unfamiliar. Some songs require playing the B-flat note in the left hand or the F-sharp note in the right hand. For the few songs that use one of these two black notes, the flats or sharps are displayed beside the note on the staff, not in the key signature (special diagrams are provided showing finger placement for the sharps and flats used).These arrangements are perfect for introducing classic Christian songs to beginning pianists. They can be used as supplementary repertoire for first year piano students. Lyrics are included for sing-along enjoyment.Song titles included in this collection:   A Mighty FortressAlleluia! Sing to Jesus (HYFRYDOL)Blessed Be the NameFather, Lead Me Day by DayGlory to His NameHow Firm a FoundationI'm Gonna SingI've Got Peace Like a RiverIt Is Well with My SoulJesus Bids Us ShineJesus Is a Rock in a Weary LandNothing But the BloodOnly Trust Him RedeemedShall We Gather at the RiverThere Is a Happy LandWe Are Climbing Jacob's LadderWe Shall OvercomeWhat Heavenly MusicWhat a Wonderful SaviorVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$10.00
9.26 €
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Easy Piano
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Sharon Wilson
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20 Easy Hymns and Spirituals, BOOK 1
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Sharon Wilson
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SheetMusicPlus
Silent Night: From Austria to Africa
Guitar notes and tablatures
Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
$4.99
4.62 €
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Guitar notes and tablatures
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Franz Xaver Gruber
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Silent Night: From Austria to Africa
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Richard Hirsch
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SheetMusicPlus
20 Easy Hymns and Spirituals, BOOK 2 (Beginner Piano Solos)
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1374779 By Sharon Wilson. By Africa…
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Easy Piano - Level 1 - Digital Download SKU: A0.1374779 By Sharon Wilson. By African-American Spiritual, Conrad Kocher, Edwin O. Excell, Fanny J. Crosby, Folk Song, George Job Elvey, Isaac Watts, John Bacchus Dykes, John Newton, Lelia Naylor Morris, Ludwig van Beethoven, and Robert Lowry. Arranged by Sharon Wilson. Christian,Easter,Folk,Holiday,Spiritual. Score. 41 pages. Sharon Wilson #959310. Published by Sharon Wilson (A0.1374779). Beginner Piano SolosMiddle C PositionFive-Finger formatThis is a collection of 20 hymns and spirituals arranged for beginning piano students. These arrangements are formatted in the traditional five-finger style with the melody split between the hands and without key signatures.  All 20 songs are written in Middle C Position where all notes are played singly centered around Middle C (diagrams are provided showing notes and finger placement). No fingering is notated on the sheet music to encourage students to learn to read the notes instead of using the fingering numbers to play the song. Thus, this collection makes a great sight-reading book, especially if some of the songs are unfamiliar. Some songs require playing the B-flat note in the left hand or the F-sharp note in the right hand. For the few songs that use one of these two black notes, the flats or sharps are displayed beside the note on the staff, not in the key signature (special diagrams are provided showing finger placement for the sharps and flats used).These arrangements are perfect for introducing classic Christian songs to beginning pianists. They can be used as supplementary repertoire for first year piano students. Lyrics are included for sing-along enjoyment.Song titles included in this collection:   Always CheerfulAmazing GraceCount Your BlessingsCrown Him with Many CrownsFootsteps of JesusFor the Beauty of the EarthHoly, Holy, HolyI Have Decided to Follow JesusI Shall Not Be MovedI'm So Glad Jesus Lifted MeJesus Shall ReignJoyful, Joyful, We Adore TheeNearer, Still NearerPeace Is Flowing Like a RiverStand Up! Stand Up for Jesus!Sweet By and ByThere Is Joy in That LandThis Little Light of MineWe Gather TogetherWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$10.00
9.26 €
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Easy Piano
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Sharon Wilson
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20 Easy Hymns and Spirituals, BOOK 2
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Sharon Wilson
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SheetMusicPlus
African American Suite No. 1 for Piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.697665 Composed by Sandy McIntire. …
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Piano Solo - Level 3 - Digital Download SKU: A0.697665 Composed by Sandy McIntire. Contemporary,Contest,Festival,Instructional,Standards,Traditional. Score. 22 pages. Sandy McIntire #6318167. Published by Sandy McIntire (A0.697665). African-American Suite No. 1, Opus 2 is a classical composition for Intermediate Piano that uses themes developed from African-American spirituals. It has four parts: 1. Ride on, King Jesus/In That Great Getting Up Morning, 2. Hold On, 3. Joshua Fit de Battle of Jericho, 4. Gospel Medley with themes from Little David, Play on Your Harp, Didn't My Lord Deliver Daniel, and Go Tell It on the Mountain. These pieces are also available separately at this web site.A YouTube video is available for you to hear samples of this composition.
$14.99
13.88 €
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Piano solo
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Sandy McIntire
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African American Suite No. 1 for Piano
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Sandy McIntire
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SheetMusicPlus
Ngiculela-es Una Historia I Am Singing
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1296741 By Stevie Wonder. By Stevie Wond…
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Piano - Level 3 - Digital Download SKU: A0.1296741 By Stevie Wonder. By Stevie Wonder. Arranged by Popnroll 1976. 20th Century,Latin,Pop,R & B. Score (Chords/Lyrics). 3 pages. Popnroll 1976 #886908. Published by Popnroll 1976 (A0.1296741). Ngiculela - Es Una Historia - I Am Singing - Stevie Wonder (Lead Sheet/Lyrics)This is a Lead Sheet (with chords and lyrics) for Ngiculela - Es Una, which begins with a refreshing sounding Western string style synthesizer arbeggio over a light Latin beat from the great R&B singer Stevie Wonder's 1976 double album Songs In The Key Of Life.Intro and ending keyboard lines are also included. Includes lyrics.PDF format, 3 pages.Composed & Performed by Stevie Wonder.This song, in which Stevie Wonder himself plays all the instruments (except for the backing percussion), begins with his 7/8 time signature drums solo, and is introduced by a harp-like synthesizer phrase that sounds like a three-finger (on the guitar). 　The song is divided into three parts, with the [A] part sung in Zulu (an African tribe living from South Africa to southern Zimbabwe), the [B] part in Spanish, and the [C] part in English (a love song from our hearts, The bass guitar is played on a synthesizer. 　The bass part is played by a synthesizer, and especially the 5th and 6th bars of the [C] part are interesting lines, so I added them in a small size at the bottom of this page.
$9.99
9.25 €
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Piano solo
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Stevie Wonder
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Performed by Stevie Wonder
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Ngiculela-es Una Historia I Am Singing
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Popnroll 1976
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SheetMusicPlus
Kum Ba Yah (Easy Bowed Psaltery Solo with Piano Accompaniment)
Piano Accompaniment
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565801 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Praise & Worship,Sacred,Spiritual,Traditional. Score and individual part. 7 pages. Sharon Wilson #6228707. Published by Sharon Wilson (A0.565801). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic praise chorus Kum Ba Yah. The psaltery part was designed for a beginning psaltery player and includes no sharps or flats. The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The psaltery plays the melody for the first verse and then adds harmony for the second verse. The song concludes with the psaltery playing melody for the final tag. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Kum Ba Yah (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is C4 (middle C) to F5 (the second F above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.7 €
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Piano Accompaniment
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Sharon Wilson
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Kum Ba Yah
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Sharon Wilson
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SheetMusicPlus
The Gift to Sing - SATB choir
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 2…
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Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
$1.99
1.84 €
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Choral SATB
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Francis Kayali
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The Gift to Sing - SATB choir
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Francis Kayali
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SheetMusicPlus
Sonata Hymnica No. 7 - Score Only
Small Ensemble - Level 4 - Digital Download SKU: A0.1033406 Composed by James Siddo…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36 pages. James Siddons Music and Writings #637186. Published by James Siddons Music and Writings (A0.1033406). The Sonata Hymnica series by composer-pianist James Siddons explores the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies and their words. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, at times whispering---as a sacred harp. In Sonata Hymnica No. 7, which calls for a soprano soloist, liturgical dancers, and two pianos (4 hands), three 19th-century hymns (words and music) serve as core material from which the music is developed. Movement I, “Climbing Higher,†is based on the African American spiritual “We Are Climbing Jacob’s Ladder.†The sustained chords, open harmony, and hammer-stroke rhythm evoke the ascent of a mountain climber. Movement II, “The Solid Rock,†is based on the hymn “My Hope is Built on Nothing Less†(1834) . The soprano sings brief lines from the hymn, interspersed with long passages for the pianos (only) that explore many tonal and rhythmic qualities of the original hymn tune. The driving harmony, albeit in duple meter, makes this the scherzo movement of this sonata. Movement III, “On Snowy Wings,†is based on “O Come, Angel Band†by the New England Methodist preacher Jefferson Hascall (1807-1887). In addition to the soprano singer, the appearance of liturgical dancers as angels with “snowy wings†brings this old hymn into the 21st century. Performance duration: 16 minutes.
$10.00
9.26 €
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James Siddons
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Sonata Hymnica No. 7 - Score Only
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James Siddons Music and Writings
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SheetMusicPlus
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